Music Palooza Episode
Peter and Eden kick off a chaotic week — Eden's dealing with the Shiny Hunters ransomware attack on Canvas (the university LMS that runs basically everything, currently being held hostage for the second time) while Peter is just weary from step counts. The bulk of the episode is a genre-spanning music deep dive: Eden assigns four critic-darling albums neither of them would normally reach for (Robyn, Ella Langley, Wendy Eisenberg, and Mandy Indiana), Peter assigns one desert-island pick Eden hasn't heard yet. Between the new releases, a Diablo 4 expansion, Cobalt lore, and the Dungeon Crawler Carl comic selling out on Free Comic Book Day, it's a very full episode.
SHOW NOTES
- Canvas Ransomware Crisis — Eden, who works in university IT, breaks down the Shiny Hunters attack on Canvas, the dominant learning management system used by ~54% of schools. The attackers took the platform down twice, demanded ransom, and threatened to release data from 9,000+ schools by May 12th. Eden spent Free Comic Book Day week in Zoom calls, prepping faculty for a likely third outage.
- New Metal Releases — Peter covers recent drops: new Sevendust (pretty okay, Lajon Witherspoon sounds great), Draconian's Insomnolent Ruin (gothic death-doom, better than their 2020 album), and a Testament remaster of Practice What You Preach — which apparently had notoriously bad 80s mastering on every prior version.
- What Else Peter's Been Into — Currently watching The Good Place (season two, laughing out loud), reading the new MurderBot novella System Collapse (more existential ennui, building toward a Preservation vs. Barishastranza showdown), and very much hooked on Vampire Crawlers, a $10 roguelike deck-builder with a dungeon crawl structure that he calls at least as good as Slay the Spire.
- Free Comic Book Day at Eden's Shop — The comic shop where Eden works had its best day ever — beating last year's record by ~$3K. The Dungeon Crawler Carl issue zero sold out by 11:15 AM and was flipping on eBay for $30+. Eden's boss is now planning to order ten copies of the forthcoming OGN.
- Eden's Media Check-In — Went back to Wuthering Waves (best combat of any free-to-play open world; Cyberpunk Edgerunners crossover incoming), read They Were Eleven by Moto Hagio (70s shoujo sci-fi, recently translated, thoroughly recommended), and briefly installed/uninstalled Neverness to Everness after the devs were caught using AI-generated assets and their "replacement" assets were also AI-generated.
- The Music Listening Project — Robyn, Sexistential — Eden's clear favorite of the four assigned albums. Robyn's first album in eight years sounds like Body Talk Part 4, which is exactly what she apparently aimed for. Both hosts agree it goes down smooth and does exactly what dance-pop is supposed to do. Peter's pick of the bunch.
- Ella Langley, Dandelion — Peter's least favorite ("I fucking hated every note on this shitty ass shit album"), not softened much by the 19-song runtime. Eden also wanted to like it more than they did. Peter's wife, who has a master's in vocal performance, concurred on the voice. Both prefer Kacey Musgraves's Middle of Nowhere, which dropped right after Eden finalized the listening list.
- Wendy Eisenberg, self-titled — A folk/chamber-folk record Eden found genuinely enjoyable, especially in quieter guitar-forward moments. Peter couldn't get past what he describes as chronically unsupported vocals (no diaphragm engagement). Mid-episode, Eden Googles and discovers Wendy uses they/them pronouns — quick correction mid-stream.
- Mandy Indiana, URGH — Noise rock with French lyrics; alienating by design, and for once that assessment is meant charitably. Peter could see putting it on if he just wants sound, not music. Eden started strong but felt bludgeoned by the end. Album art apparently smears skulls and faces across the screen in real time — which tracks.
- Cobalt, Slow Forever (2016) — Peter's desert island pick, his most-listened album of the last two years. Eden had never heard it and came away genuinely impressed. Peter gives a brief history: Cobalt's Gin (2009) as foundational American black metal, the band's turmoil around the previous vocalist's behavior, Charlie Fell (of Lord Mantis) stepping in, Eric Wunder doing all instruments himself, and the resulting pivot from black metal to progressive sludge with blackened overtones. Peter closes with a passage from "King Rust." Eric Wunder passed away earlier this year — Slow Forever as a final statement.